vrijdag 2 januari 2026

Did Dreyfus Affair Really Inspire Herzl?

 




Did Dreyfus Affair Really Inspire Herzl?

The idea that the trial of Alfred Dreyfus inspired Theodor Herzl to write “The Jewish State” is “simply not true,” Shlomo Avineri declared in a pointed, fluent, and well-received lecture that opened the first full day of London’s Jewish Book Week on February 23.

Discussing his biography of the father of modern Zionism, “Herzl: Theodor Herzl and the Foundation of the Jewish State,” Avineri asserted that through examining Herzl’s diaries and letters, he concluded that the Dreyfus affair did not preoccupy Herzl’s thoughts at that time. Only in hindsight would the fate of Alfred Dreyfus come to be seen as a pivotal moment both for European Jewry and the history of the Zionist movement.

Rather, the background to “The Jewish State” was the collapsing scenery of 19th-century Europe and specifically the Austro-Hungarian Empire which had, up until that time, been “the best country for Jews in Europe” and had been referred to as the “goldene medine,” even before the United States. Emancipation began towards the end of the 18th century, while in the 19th century the Emperor Franz Joseph I obtained the moniker “Froyim Yossel” from his Jewish subjects who during his reign became more equal members of his multi-national, multi-ethnic empire.

During the 1890s, however, “nationalism threatened the unity of the Austro-Hungarian Empire,” while the advent of democracy resulted in the emergence of “racist, populist, and anti-Semitic candidates” for office. This affected Herzl’s city of Vienna, where Karl Lueger of the Christian Social Party won municipal elections in 1895 by decrying “corrupt liberalism” and charging that Jews controlled the Austrian economy and the press.

Lueger’s campaign indicated that part of this disintegration of the Austro-Hungarian Empire and of Europe more generally was the emergence of anti-Semitism as a reaction to Jewish emancipation. This anti-Semitism, Avineri writes in “Herzl,” “stressed the ethnic and racial character of the Jews, not their religion.” Moreover, “it was not their suffering and weakness that sparked the new hatred — it was their success and their power, whether real or imagined.”

What Herzl saw, Avineri said, was that this new anti-Semitism was “deterministic” since there is “no way out” of a Jewish identity that is in the blood. While emancipation had demolished the physical walls of the old ghettos, opening up industry, commerce, and the professions and granting Jews new political and social rights, the Jews of Europe “found themselves in a new ghetto without walls — an invisible ghetto” but a ghetto nevertheless.

Herzl, therefore, “was the first one to understand the structural changes taking place in European society,” that the place for Jews in a supposedly liberal and enlightened Europe was shrinking due to the rise of nationalism and anti-Semitism. In Austria and Germany, the Czech Republic and Serbia, Jews were moving from being one ethnicity among many in multi-ethnic empires to being “national minorities in very nasty European nation-states.”

“It was not the trial of Alfred Dreyfus, but Herzl’s long analysis of the failure of emancipation and the rise of German and Austrian anti-Semitism,” Avineri writes, “that led him to his conclusions” that the Jews of Europe had to get out — “out of wealthy, liberal European society which had granted equal rights to the Jews but is unable to truly liberate them.”

But where, then, is the origin of the misnomer that l’affaire Dreyfus begat “The Jewish State”? After all, the Dreyfus trial is mentioned only incidentally in the 100s of pages of Herzl’s diaries that Avineri constructed his new biography upon. Moreover, in Herzl’s original account of the degradation of Dreyfus, he has the crowd shout, “Death to the traitor” not “Death to the Jews” as it appears today in the history books used in Israeli schools.

Avineri contends that Herzl himself was, at least in part, responsible for its dissemination. In an essay entitled “On Zionism,” written in 1899 and published in the literary journal North American Review, Herzl remembered the event of Dreyfus’ humiliation differently than in his original account. It is possible his memory simply betrayed him, but it is also possible that this essay was written specifically “in order to promote the Zionist cause among non-Jewish Americans.”

In addition, four years on from l’affaire Dreyfus and three years after the publication of “The Jewish State,” the emergence of information questioning Dreyfus’ supposed guilt took on a greater or different meaning. His retrial in 1899 became a battle between the republican left on the one hand and the Catholic-monarchist right on the other. And, for Herzl, it seemed to confirm the notion that emancipation had failed European Jewry.

Thus, this later account of Dreyfus’s court-martial became part of the historical record as opposed to the original. According to this version, “it was the sight of the innocent Dreyfus being expelled from the French army and French society, and the cries of the crowed, that convinced him that the Jews needed their own country.” What Avineri stresses, however, is that this is very much a retrospective rearranging of history.

https://forward.com/schmooze/193316/did-dreyfus-affair-really-inspire-herzl/

maandag 29 december 2025

Bari Weiss Is Doing Exactly What She Was Installed at CBS to Do

 





Bari Weiss Is Doing Exactly What She Was Installed at CBS to Do

By pulling a “60 Minutes” segment, the new editor-in-chief is torching the network’s credibility to protect the Ellison family’s interests.

NEW YORK, NEW YORK - NOVEMBER 19: Bari Weiss speaks onstage during Book Club Event With Peggy Noonan on November 19, 2024 in New York City. (Photo by Noam Galai/Getty Images for The Free Press)
Bari Weiss speaks onstage during Book Club Event With Peggy Noonan on Nov. 19, 2024 in New York City. Photo by Noam Galai/Getty Images for The Free Press

The media world is disgusted and indignant at CBS News’s new editor-in-chef Bari Weiss’s decision not to air a “60 Minutes” segment critical of the Trump administration’s deportation of Venezuelan migrants to a notorious prison in El Salvador. (In a now-deleted promo clip for the segment, the reporter said the migrants endured “four months of hell,” with one man saying, when asked if he thought he was going to die, “We thought we were already the living dead.”) According to a statement from CBS correspondent Sharyn Alfonsi, the report had been internally reviewed and cleared by broadcaster’s legal and standards departments. It had also been heavily promoted on “60 Minutes”’ social media. But three hours before it was set to air, Weiss pulled the segment, citing the need for “additional reporting” and on-camera interviews with White House officials –– who had reportedly refused to comment for weeks.

This was, of course, an excuse that didn’t pass the most basic smell test. By all accounts, the piece had been thoroughly reported, and the idea that reporters need to secure on-camera interviews with government officials before reporting on government misdeeds effectively gives the administration veto power over CBS’s news reporting, as Alfonsi pointed out.

The outrage in the U.S. media has been swift and more than justified. But in the back and forth, some key context is being overlooked — context that might help clarify that as bleak as Weiss’s move is for the future of journalism, it is a perfect example of why Paramount’s new owner, David Ellison, hired her in the first place. Her job is to suck up to Trump, yes, but largely as a means –– not an end in and of itself. If Trump favors CBS and Paramount, it could undermine the pending Netflix–Warner Bros. Discovery merger, help Ellison take over WBD himself, and cement the Ellison family’s media concentration to further advance their business interests and their right-wing ideology. This is not just a matter of routine MAGA brain rot; there are material interests at work.

Unlike in traditional corporate media arrangements, Weiss reports directly to Ellison. Her role, from the onset, has been to police the CBS newsroom, an open acknowledgment that CBS News must reflect the ideological preferences of the Ellison family — namely, their fidelity to Israel and surveillance capitalism.

Despite efforts to paint Weiss as a “reporter” and her publication the Free Press as a “news outlet,” neither characterization is true. Weiss rose through the ranks as an opinion writer, going from Tablet to the Wall Street Journal to the New York Times to her own Silicon Valley-seeded and funded media property, the Free Press. Along the way, she never did anything, at least not with any degree of consistency, that could be seen as reporting.

There’s nothing inherently wrong with doing opinion writing and analysis (indeed, it’s what I do), but it in no way qualifies someone to run an ostensibly straight news organization, especially one the size of CBS News. Installing a leader like Weiss is what a company does when it’s attempting an ideological overhaul and gutting of a newsroom, not when they’re attempting to appeal to middle America or modestly counter an alleged liberal bias, as some claimed at the time.

This is not just a matter of routine MAGA brain rot; there are material interests at work.

Weiss built her brand going after the targets popular with her wealthy backers: supposedly “woke” college kids, trans people, and pro-Palestine voices, positioning her outlet as “Honest. Independent. Fearless” while carrying water for reactionary elites. Through that lens, Ellison’s decision to buy the Free Press earlier this year can best be seen not as a straight-forward business decision, but a commitment to a political project that would dovetail with the family’s broader ideological and business interests in surveillance and military technology.

A cursory look at the Free Press’s YouTube channel (Weiss’s closest analogue to running a TV news network) at the time of the purchase reveals a product of middling popularity. The site’s videos rarely rack up more than 200,000 views, and the channel does not crack the top 1,000 on YouTube. It’s true that the outlet’s Substack supposedly had 155,000 paid subscribers, but by no objective metric did this justify its eventual $150 million purchase price. The payment was for something much less direct, and much less unseemly: Weiss integrating her political project with CBS News to slowly turn the once-storied brand into a tabloid news channel for cheerleading Israel, U.S. military interests, and right-wing social causes. By associating a valued name in journalism with Ellison and Weiss’s agenda, their politics take on a sheen of credibility — a bargain that far exceeds any purchase price.

Related

Bari Weiss’s Free Press Wants You to Know Some Kids Being Starved by Israel Were Already Sick

Central to this agenda is steadfast support for Israel. Ellison and Weiss’s shared commitment to Israel is hard to overstate: Weiss began her career at Columbia attempting to get Palestinian academics fired, and throughout her career has prioritized the topic with consistency, vitriol, and vindictiveness. When Ellison’s bid to buy Paramount was announced in the summer of 2024, his company Skydance published a press release in The Jerusalem Post stating David Ellison “loves Israel,” has “Zionist values,” and “quietly donates quite a bit to the State of Israel and the IDF.” Larry Ellison, David’s father and the co-founder of Oracle, made what was the largest single private donation to the nonprofit Friends of the Israel Defense Forces in 2017.

One thing gumming up the works is that Paramount, by Ellison’s own admission, is simply the appetizer for their grand designs of concentrated media ownership, and the Ellisons will need the Trump Department of Justice to help expand their reach any further. While the straightforward narrative of “pro-Trump media defends Trump” is, strictly speaking, true, it misses the bigger picture. Indeed, to say that Weiss and Ellison are ideologically MAGA wouldn’t be entirely correct –– or at least be very incomplete. Weiss and the Free Press’s journalistic output has frequently been critical of Trump. Despite his father Larry being a long-time Republican megadonor, David Ellison has donated large sums to Democrats.

Related

Trump’s Cult of Power Cancels Free Speech

In the relatively tight window of Trump’s second term –– which has been marked by outright venality, old-school personality politics, and a total abandonment of anti-trust law –– the Ellisons have an opportunity to consolidate unprecedented control of media into the hands of one company. First, they snatched up CBS News’s parent company, Paramount, earlier this year for the relatively bargain basement price of $8 billion, and now they’re setting their sights on the big prize of Warner Bros. Discovery. That company has made a deal with Netflix, currently valued at nearly $83 billion, but it could still very much fall apart if Trump decides it should during the anti-trust review process, and Larry Ellison isn’t letting go without a fight.

Trump has made his demand that “60 Minutes” be nice to him abundantly clear by criticizing the Ellisons, CBS News, and “60 Minutes” just days before Weiss pulled the Venezuelan migrant segment. It’s important to situate the latest capitulation to the ever-petulant Trump as part of a much broader media consolidation effort. Ellison senior just took control over TikTok, and Ellison the younger controlling CBS News and potentially CNN, HBO, and other influential Warner Bros. Discovery media properties gives them power to not just profit off of media concentration, but also to use this unprecedented megaphone to shape the news in a way that benefits Oracle’s interests, Israel, and beyond.

Their goal isn’t just to promote Trumpism –– this is a temporary necessity with a lot of obvious ideological overlap –– it’s to promote the Ellisons’ own agenda. To do this, and do this swiftly, David Ellison’s foot soldiers within these organizations, with Weiss leading the way, are going to have to move fast, break journalism norms, and potentially wreck the old models and brands of trust and credibility –– ideally before Trump leaves office or other media competitors manage to win his favor first. Weiss and Ellison’s interference into “60 Minutes” creates a de facto state media, but their burgeoning empire is about consolidating top-down oligarchical control over legacy media brands that will endure long after Trump fades into irrelevance.

https://theintercept.com/2025/12/22/bari-weiss-cbs-60-minutes/